CURATOR /
A CURA DI
CLAUDIO ROSI

CASAGALLERY

LONG OPENING /

FRIDAY 11

SATURDAY 12

6:30 PM

INAUGURAZIONE PROLUNGATA /

VENERDI 11

SABATO 12

ORE 18:30

TESTI / TEXTS

DONATO NOVELLINI

ROSETTA TERMENINI

From 1972 he has exhibited in group and solo exhibitions, in private galleries,

and public spaces. He has been reviewed in newspapers and art magazines.

Between 1974/1979, Rosi conducted an in depth study analytically researching

the potential and possibilities of the photographic medium.

From 1978/1980, he dealt with sculpture and reused clay viewing them

as a complementary presence to room installations.

Starting from 1977/1981, he developed a progressive graphic-pictorial study

by inserting words and cartoon strips into his work.

Not to mention that from 1981/1986, he stimulated the visual language of

cultural memory, from figurative to abstract, from gestures to informal,

from irony to drama and brought the vision of the past into the present,

with the use of fluorescent-phosphorescent-metallic materials.

In 1987/1990, he entered more of a design phase, the idea of awareness of space

inside an immediate representation, then assuming a language with a dual value,

combining the place of communication and the object itself as a container of

linguistic materials, in a re-utilisation project, preserving its own poetic material

as a form of self-quotation.

From 1990/1995, he conceptually analysed the work “from the inside” evaluating

the cyclical process, then bringing the contents, with the use of

a plurality of language, from the inside to the outside and vice versa.

The essence was realised through a “dynamic composition”.

From 1996/1997, by means of a conceptual agreement with the organisers

he worked on projects for “opera ambigua-opera obliqua”

defining a process of visiting that was deliberately different.

From 1998/2003, he returned to all of his mediums, from painting to sculpture,

from photography to digital photography and to working on images of

his own work with wall or room installations.

Since 2004, his work has focused on the study of the relationship
between the portrait and the confined space (orange) that encompasses
all significant parts biancosporco (off-white), as a fluid in a unique energy force.